Arts Educa

Guang Li PhD Candidate, Department of Fine Arts, lnternational College, Krirk University, Bangkok, 10220, Thailand

ABSTRACT

Objectives: This study delves into the Chama performances of Inner Mongolia, emphasizing their crucial role in articulating and conserving the region's religious and cultural identity in the globalized context. The objective is to reveal the latent meanings of symbolic components such as costumes, music, and dance moves in Inner Mongolia. These elements play a role in both reflecting and influencing the spiritual beliefs, cultural identities, and value systems of the region. Mythology: In this comprehensive study, we explore the symbolic significance of Chama performances in Inner Mongolia, focusing on their role in maintaining the region's cultural and religious identity amidst globalization. Employing a mixed-methods approach, the research combines qualitative and quantitative analyses, including interviews with 95 individuals (Chama artists, cultural scholars, religious leaders, and local residents) and surveys from 300 participants, to assess the cultural, religious, and social impacts of these performances. Results: The results reveal that Chama performances not only embody the vibrant cultural heritage of Inner Mongolia but also act as a medium for cultural transmission, reinforcing community bonds and preserving traditional values against the backdrop of modern challenges. The performances, rich in symbolic content, blend Mongolian, Tibetan, and Han cultural elements, highlighting the importance of preserving such traditions against modern pressures. This investigation contributes to the understanding of how performance art sustains cultural identity, advocating for the continued appreciation and preservation of Chama within and beyond Inner Mongolia.